daiwok
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« Reply #15 on: March 07, 2009, 01:33:39 AM » |
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Yeah, with an RS-A1 you just stick it anywhere... don't even need a protractor. ;D
anywhere ?  :P
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David  Vinyl is BLACK MAGIC
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rfgumby
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« Reply #16 on: March 07, 2009, 04:10:14 AM » |
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anywhere ?  :P Well, anywhere on the top of the turntable...  All right, I admit I'm just teasing Ian. 
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Scott
Like a leper messiah When the kids had killed the man I had to break up the band -David Bowie
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haydn
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« Reply #17 on: March 07, 2009, 12:22:45 PM » |
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I am using the Lofgren A points with good results. Always open to advise, if someone says the Denon 103R is better with the B points or the Baerwald points happy to give it a go.
Being relatively uninitiated as to all these technical differences between the various alignment methodologies, I didn't know what the difference between the Lofgren A and B points were. ??? So, for all those in the same position as I, Lofgren's "A" alignment minimizes peak distortion while his "B" alignment minimizes RMS distortion. The advantage of using Lofgren's "B" alignment is lower tracking distortion, particularly during more playing time - i.e. lp's rather than 45's - at the expense of slightly higher distortion at the beginning and end of the record. On the other hand, Lofgren's "A" alignment minimizes and equalizes the distortion peaks at the innermost groove, in-between the null-points, and at the outermost groove. Stevenson "A" uses the same equations as Lofgren but with a different goal, i.e. zero distortion at the inner groove. Ultimately, the difference between these alignment methods is all about different null points and the type of distortion you're prepared to live with. Graeme Dennes over on vinylengine says that Stevenson's goal (for the "A" alignment) was to minimise (in fact to make zero) the weighted tracking error (WTE) and the resulting distortion at the specified inner groove radius. However, the WTE and the distortion occurring over about 75 percent of the record playing time is greater than that which occurs under the Lofgren A alignment for the same conditions (ie arm length and groove radii). He says Stevenson A alignment is only significantly better than the Lofgren "A" alignment during the last 3-4 mm of the record playing surface (usually less than one minute of playing time). Always open to advise, if someone says the Denon 103R is better with the B points or the Baerwald points happy to give it a go.
There is, apparently, no difference between Baerwald and Lofgren "A". So, does anyone use Lofgren "B"? More importantly, I suppose, is can you hear a difference? h
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willbewill
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« Reply #18 on: March 07, 2009, 12:26:48 PM » |
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Well, anywhere on the top of the turntable...  All right, I admit I'm just teasing Ian.  Looks great going around on the platter - but sticks in the groove 
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malcolm ("You can't shine if you don't burn" - Kevin Ayers) If what I'm hearing is colouration, then bring on the whole rainbow 
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daiwok
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« Reply #19 on: March 07, 2009, 12:35:02 PM » |
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Back to protractors, no matter which one you use, you will get an error, that is a fact. Minimising that error down to 0.5mm, well good luck, you will need some special jig and a magniflying glass to see it. Why has no-one ever made a jig for setting up carts ? something that you can use like a vernier to makde ultra fine adjustments, then fix the damn cart while you try and tighten the bolts without is moving around ! Surely that is worth paying for compared to some of these USD 250 protractors ? of course you don;t have these issues with a linear tracker - do you ? ;D :P
ok - off to the patent office now ;D
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« Last Edit: March 07, 2009, 12:39:09 PM by daiwok »
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David  Vinyl is BLACK MAGIC
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haydn
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« Reply #20 on: March 07, 2009, 01:09:41 PM » |
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David, we already know you've got young ears and as you're younger than I, probably better eyesight. So I'm sure knocking up a new protractor as you've suggested shouldn't be too difficult for you;D
Once you've got that patent, I'm sure there are a few us that'd be willing to stick an order in..... h
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jon
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« Reply #21 on: March 07, 2009, 09:26:22 PM » |
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There is, apparently, no difference between Baerwald and Lofgren "A". So, does anyone use Lofgren "B"? More importantly, I suppose, is can you hear a difference?
There is no difference between Lofgren A and Baerwald? That does surprise me. I have all three templates and their is a difference between the two. Of course the end result might be same and therefore it is the method to achieve it that is different!
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Please let me build a system that is a bit forgiving on what I find in thrift shops for a handful of pennies and still is able to deliver the goods on good pressings.
(Syncopeter)
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daiwok
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« Reply #22 on: March 07, 2009, 10:48:38 PM » |
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Same difference Jon ! 
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David  Vinyl is BLACK MAGIC
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jaspert
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« Reply #23 on: March 08, 2009, 12:28:35 AM » |
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Ok, Jon's recently got himself a vintage Dennesen Soundtractor and Nic's said he has one of Yip's MInt Tractor's but hasn't used it yet. There's a fair bit of praise for the Mint over at audiogon, particularly over a Feickert or a Wally.
Has anyone got or used a Wally, a DB , Chpratz, a Feickert Universal or Galibier Protractor or any other - to align your tonearm? Nic said Yip already has the spindle size for a L75, so some of you may have compared it to one (or both?) of the above? Anyone got a personal favourite - and why??? h
I used to use a cheap Ortofon alignment protractor costing $4. When an opportunity to get a mint Feickert Universal Protractor for US$115 came up, i snatched it as it's quick tool to setup and useful with different tables and different arms. Now recently, i've also bought a Mint LP Best Tractor specific for my new Graham Phantom tonearm/turntable combination and this precision arc protractor is a real pain in the bum to setup. I had a brief go at it late last night, not enough time and too tired to carry through so will get back here when i have it nailed.
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« Last Edit: March 08, 2009, 07:27:12 AM by jaspert »
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daiwok
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« Reply #24 on: March 08, 2009, 01:23:00 AM » |
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I used to use a cheap Ortofon alignment protractor costing $4. When an opportunity to get a mint Feickert Universal Protractor for US$115 came up, i snatched it as it's quick tool to setup and useful with different tables and different arms. Now recently, i've also bought a Mint LP Best Tractor specific for my new Graham Phantom tonearm/turntable combination and this precision arc protractor is a real pain in the bum to setup. I had a brief go at it late last night, not enough time and too tired to carry through so will get back here when i have it nailed it.
Let us know if you hear any difference once you nailed it :  BTW Jasper - how about posting your system when you get the chance 
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David  Vinyl is BLACK MAGIC
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rbakedq
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« Reply #25 on: March 08, 2009, 05:21:51 PM » |
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Rich
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rfgumby
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« Reply #26 on: March 08, 2009, 05:56:30 PM » |
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I have a Turntable Basics protractor as well. With those, I usually tape the protractor to the platter , and the platter to the plinth so nothing moves out of alignment. That string to help orient it exactly the right way is a great idea Rich!
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Scott
Like a leper messiah When the kids had killed the man I had to break up the band -David Bowie
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rbakedq
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« Reply #27 on: March 08, 2009, 06:24:21 PM » |
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Scott: if you look at the first picture you can see I use a wedge made out of balsa wood to immobilize the platter. I sometimes tape the protractor to the platter mat, but I mostly just recheck the alignment to the pivot.
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Rich
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haydn
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« Reply #28 on: March 09, 2009, 11:39:20 AM » |
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It's interesting that almost all these arc protractors use Baerwald or Lofgren "A" alignment. Looking at that Turntable Basics protractor, it certainly appears easy to use - but then the Mint is too by all accounts. It's obvious, too, from some of the other forums that those that claim they use `Baerwald/ Lofgren "B" ` are confused because the alignment null points are not identical. I came across another two protractors - the Schon http://www.tnt-audio.com/accessories/schon_e.html and the TNT http://www.tnt-audio.com/sorgenti/analogue_bites_e.html - over on TNT-Audio and both these use the same alignment methodology. On the Schon link, there's an interesting use of a piece of refillable pencil lead to assist in alignment whilst on the latter, for those with straight arms, there's a real nifty piece of plastic that assists in setting VTA that I might just have to get. Is there no one that uses - or has at least tried - Lofgren "B" and can report either less or more distortion? Always open to advise, if someone says the Denon 103R is better with the B points or the Baerwald points happy to give it a go.
Jon, over on Dogogo http://www.dagogo.com/DenonDL-103.html, there's a suggestion that Stevenson alignment rather than Lofgren "B" may be better for the Denon 103 than Baerwald/Lofgren "A". This may be because it was used in review with a Japanese tonearm and on Audiokarma, http://www.audiokarma.org/forums/showthread.php?t=155358&page=4, one contributor claims Japanese turntables use Stevenson null points. Bet Lenco never used Stevenson! ;D
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jaspert
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« Reply #29 on: March 09, 2009, 02:43:27 PM » |
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Let us know if you hear any difference once you nailed it :  BTW Jasper - how about posting your system when you get the chance  Too busy today with other chores to finish the alignment with Mint :-\ but I will post a pic of my system later. I took some pics tonight. As you can see the Mint arc protractor has a really fine line and you really need a magnifying glass and 10x loupe to check that you are tracing the arc and aligned properly. Parallax error is taken care off too. it's about precision at the miniature level. Pic of the Feickert.  Pic of Mint Arc Protractor with the free illuminated magnifying glass and Peak x10 loupe( optional $10).  Front side on pic taken with my Canon macro lens.  Side on pic. 
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